Faber Music

Improve your sight-reading Piano Grade 3 [Improve your sight-reading]

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  • Do you dread the sight-reading test in your grade 3 piano exam? Don?t know how to practise sight-reading? Improve Your Sight-Reading! Piano Grade 3 is the perfect book for you! Perfect exam preparation This book will guide you through useful things to practise to help improve your sight-reading for your grade 3 exam - it includes over 100 practise tests which cover changing hand positions
  • playing chords
  • rhythms in 3/8
  • and the keys of A minor
  • B minor

Sinossi

Improve your sight-reading! Piano Grade 3 (Elementary) is part of the best-selling series by Paul Harris, guaranteed to improve your sight-reading! This workbook helps the player overcome problems by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally by ‘going solo’ with a series of meticulously graded sight-reading pieces. This edition now includes supporting audio available online for students to check their performances against. The Improve your sight-reading! series will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.

Recensione

This series of very practical and productive workbooks, one per grade, was published several years ago and has been updated, according to the cover blurb, ’to support the revised ABRSM sight-reading criteria’ in the 2009 syllabus. With hundreds of fascinating, short character pieces it is an inexhaustible resource for lessons - and delightful music in its own right. Helpful tips and tricks will improve pupils’ chances of gaining more marks in this bit of the exam, and this is an honest, well-designed, reasonably priced package. I would recommend its use outside the exam preparation period rather than at the last minute, because the skills picked up will help in every aspect of piano playing, aural perception and general musical awareness. –Piano Magazine, January 2009

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